Painter who captured Arctic landscapes in Lofoten and northern Norway
Anna Boberg was a versatile self-taught artist renowned for her depictions of Arctic landscapes from Lofoten, Norway, a place she held dear and frequented throughout her life.
Anna Boberg's early life and education
Anna was born in 1864 in Sweden. Her family carried a strong artistic heritage: she inherited her passion for art from her father, Fredrik Wilhelm Scholander, a prominent architect, and her mother, Carin Scholander, a theosophist and translator.
By 1887, she had dedicated herself to painting, primarily favouring watercolours. Her first exhibition was held in 1888. Her landscape paintings include studies from Jerusalem, the south of France and Italy among others.
Despite lacking formal artistic training, aside from a brief stint at the Académie Julian in Paris in the late 1880s, Anna's talent flourished.
During her time in Paris, she crossed paths with her future husband, architect Ferdinand Boberg. In the photograph below, Anna is sitting among her paintings at an exhibition in 1914, chatting to Ferdinand.
When did Anna Boberg paint the northern lights?
Even though Anna started painting after a trip to Spain, in her autobiography, it seems like her artistic life only really began in 1901.
This was when she went to the north of Norway for the first time, accompanying her husband. The landscape of Lofoten bewitched Anna so much that she refused to return home with Ferdinand, who had had to travel back without her. He sent Anna painting materials so she could capture her new obsession.
Anna's paintings of the Northern Lights and the midnight sun are especially captivating, depicting the aurora borealis in all its mystique and vivid colour.
In winter 1901, Anna returned to Norway, writing in her memoir:
…when the full moon, like a sun made of ice, disperses the night of noon, when the aurora borealis flares among the stars and storm clouds and waves chase each other, when the Lofoten Wall forms a wondrous stronghold with bastions and towers of alabaster… and the sea becomes dotted with armadas of Viking ships. Return then, stranger, to behold the apotheosis of Arctic beauty and wilderness!
Ferdinand quickly realised that, as a good husband and architect, he would have to design and build a house for them in Norway.
Over the following 33 years, Boberg returned to her beloved Lofoten more than three dozen times, capturing its ethereal beauty in her paintings. The cabin in Svolvaer that Ferdinand had created for them was her pied-à-terre in the icy north.
Although the Swedes were slow to warm to Anna's Norwegian scenic paintings, her work gained a lot of attention in Paris and the United States. The American press even went as far as calling her 'Sweden’s greatest artist'.
Anna's last exhibition took place in 1927. In 1929, Ferdinand and Anna went back to live in Stockholm, Sweden, where she died after surgery complications in 1935.
Anna has only recently been reconsidered by the Swedish art world as one of the great Scandinavian landscape painters. Since 2018, her art has been on permanent display at Nationalmuseum, Sweden's museum of art and design.
Sources
- Eva-Charlotta Mebius, '"Sweden's Greatest Artist": The Reception of the Landscapes of Anna Boberg' in Art Bulletin of Nationalmuseum Vol 27:1, 2020, pp. 91-98